2024 12 30
Becoming a Portrait Studio Photographer in 2025
Iāve been quite humbled in the last few years by the difficulty in attracting people to give you money to take their portrait. Just because you have a photo studio doesnāt make you a professional portrait photographer. Itās been a re-learning experience to figure out what people want from me and what people are willing to pay me for it, when pursuing portrait clients. That said, being a portrait photographer has never been a focus of mine and Iāve sort of actively avoided this my entire photography career, as I didnāt have a studio and it always felt like more work than it was worth. To be honest, my insight is that people donāt have much money to put towards portraits and expectations are high for the little money they will pay (I realize my perspective is a bit warped as a commercial and editorial photographer). What mightāve been a no-brainer career pursuit a decade ago is now challenging and perhaps not advisable.
All that said, I think I finally got to a place where I have things a bit more figured out. My āKeep it 100ā portrait sessions, heavily inspired by a similar setup done down in Nashville by Jeremy Cowart, have been both a ton of fun and a bit more financially justified. I have a longer post in the works that goes into further detail on the backstory and process, however, I will say that providing an amazing service (on hundred fun and unique portraits for $150) does wonders for word of mouth and in more recent months, Iāve built up some real demand for this service. This has me wondering if I should make portraits a more regular offering at the studio.
Additionally, I recently saw some work from Ivan Weiss, a London-based studio portrait photographer, that further inspired me to want to focus more of my time on offering a more well-rounded portrait studio experience. While thereās a lot of potential to make really great work, there are also real expenses involved (backdrops, cameras and lenses, lighting) that make this approach less appealing to me. Then, thereās the even more challenging reality of finding higher end clients that are both willing to spend more appropriate amounts of money ($600 and up!) on great images, while also maintaining the creative approach that inspires me to want to do this. The challenges are so great that I will likely stick with the lower end approach. Keep it quick, easy, and affordable, while also making it low stakes enough for me to experiment, get weird, and have some fun along the way.
One other idea I hope to explore is to turn my more affordable āKeep it 100ā portrait model into a more of a social experience. In a previous life, I ran a website called everyoneisfamous.com, in which I would go out to parties and shows, take a bunch of candid pictures of people, and then post them to the photo blog. I like the idea of dusting off the website and making it more studio portrait approach, in which anyone who wants to participate will get their images on the public website for others to see. We could then offer the setup out in the wild at various events and perhaps even bring the whole thing on the road and do it in other cities. That all gets me excited and feels like a model that might make sense, as part of the payment then becomes exposure for myself and my portrait setup, thus allowing me to keep my rates low enough for anyone to participate.
-Clayton
āKeep it 100ā studio portrait featuring Serina. Chicago, Illinois. July, 2024. Ā© Clayton Hauck
Becoming a Portrait Studio Photographer in 2025
Iāve been quite humbled in the last few years by the difficulty in attracting people to give you money to take their portrait. Just because you have a photo studio doesnāt make you a professional portrait photographer. Itās been a re-learning experience to figure out what people want from me and what people are willing to pay me for it, when pursuing portrait clients. That said, being a portrait photographer has never been a focus of mine and Iāve sort of actively avoided this my entire photography career, as I didnāt have a studio and it always felt like more work than it was worth. To be honest, my insight is that people donāt have much money to put towards portraits and expectations are high for the little money they will pay (I realize my perspective is a bit warped as a commercial and editorial photographer). What mightāve been a no-brainer career pursuit a decade ago is now challenging and perhaps not advisable.
All that said, I think I finally got to a place where I have things a bit more figured out, in a way that works for me. My āKeep it 100ā portrait sessions, inspired by a similar setup done down in Nashville by Jeremy Cowart, have been both a ton of fun and a bit more financially justified. I have a longer post in the works that goes into further detail on the backstory and process, however, I will say that providing an amazing service (one hundred fun and unique portraits for [currently] $150) does wonders for word of mouth. In more recent months, Iāve built up some real demand for this service largely due to the affordability and simplicity (though the setup is quite detailed). This has me thinking I should make portraits a more consistent and regular offering at the studio next year.
Additionally, I recently saw some work from Ivan Weiss, a London-based studio portrait photographer, that further inspired me to want to focus more of my time on offering a more well-rounded portrait studio experience. While thereās a lot of potential to make really great work, there are also real expenses involved (backdrops, cameras and lenses, lighting) that make this approach less appealing to me. Then, thereās the even more challenging reality of finding higher end clients that are both willing to spend a more appropriate amount of money ($600 and up!) on great images, while also maintaining the creative approach that inspires me to want to do this. The challenges are so great that I will likely stick with the lower end approach. Keep it quick, easy, and affordable, while also making it low stakes enough for me to experiment, get weird, and have more fun along the way.
One other idea I hope to explore is to turn my more affordable āKeep it 100ā portrait model into more of a social experience. In a previous life, I ran a website called everyoneisfamous.com, in which I would go out to parties and shows, take a bunch of candid pictures of people, and then post them to the photo blog. I like the idea of dusting off the website and giving it more of a studio portrait approach, in which anyone who wants to participate will get their images on the public website for others to see. We could then offer the setup out in the world at various events, and perhaps even bring the whole thing on the road and do it in other cities! That all gets me excited and feels like a model that might make sense, as part of the payment then becomes exposure for myself and my portrait setup, thus allowing me to keep my rates low enough for anyone to participate.
-Clayton
This is one entry in a multi-part series of self-exploration and contemplation-out-loud in advance of the new calendar year. Some of this may happen; none of this may happen.
For the complete list of posts, see 2024 12 25.
2024 10 02
Self-promotional Wednesday! Today, through next Wednesday, I am doing my āKeep it 100ā portrait setup at my See You Soon studio. If youāre in the Chicagoland area, check it out and come shoot with me! Itās a ton of fun, super affordable, the images are great, and Iām having a hell of a time getting people to come out for it!
Seriously, though, Iām being a bit hard on myself. Iāve already done at least fifty of these sessions if not many more (brain blur) but in my head the deal is so good there should be a line down the block. Iāll get up some more thoughts about all this later this week, I think.
In the meantime, click this link, book a session, and come shoot with me why donāt you?!
-Clayton
Portrait of Anne. Chicago, Illinois. July, 2024. Ā© Clayton Hauck
Self-promotional Wednesday! Today, through next Wednesday, I am doing my āKeep it 100ā portrait setup at my See You Soon studio. If youāre in the Chicagoland area, check it out and come shoot with me! Itās a ton of fun, super affordable, the images are great, and Iām having a hell of a time getting people to come out for it!
Seriously, though, Iām being a bit hard on myself. Iāve already done at least fifty of these sessions if not many more (brain blur) but in my head the deal is so good there should be a line down the block. Iāll get up some more thoughts about all this later this week, I think.
In the meantime, click this link, book a session, and come shoot with me why donāt you?!
-Clayton
2024 06 22
Hello loyal daily photo blog readers (mom & dad)! This coming week, and the week thereafter, I will be offering my insanely-priced $100 portrait sessions at the studio. If youāre in need of one-hundred unique new images of yourself, book a session and come shoot with me! Itās a ton of fun and Iāll soon be raising the price because this deal is going to lead me to financial ruin if I keep it up much longer.
Anyway, hope to see you soon!
-Clayton
Dinah, photographed in my āKeep It 100ā setup at my See You Soon studio. Chicago, Illinois. December, 2023. Ā© Clayton Hauck
Hello loyal daily photo blog readers (mom & dad)! This coming week, and the week thereafter, I will be offering my insanely-priced $100 portrait sessions at the studio. If youāre in need of one-hundred unique new images of yourself, book a session and come shoot with me! Itās a ton of fun and Iāll soon be raising the price because this deal is going to lead me to financial ruin if I keep it up much longer.
Anyway, hope to see you soon!
-Clayton
2024 05 15
Just a quick update today as Iām still buried in work with no time for blogginā
Iām offering my Keep it 100 $100 portrait sessions at the studio this week. If youāre in town and need some new photos of yourself, book a session and come see me!
-Clayton
Charlie poses during one of my Keep it 100 sessions at the studio. December, 2023. Chicago, Illinois. Ā© Clayton Hauck
Just a quick update today as Iām still buried in work with no time for blogginā
Iām offering my Keep it 100 $100 portrait sessions at the studio this week. If youāre in town and need some new photos of yourself, book a session and come see me!
-Clayton
2024 05 07
Following my own advice from yesterdayās entry, I checked out another from Paulie Bās amazing Walkie Talkie series, this time featuring another photographer I was not previously familiar with by the name of Sara Messinger. I think the kids are alright! Beyond being introduced to another talented name, I loved the contrasting styles, approaches, and philosophies between Sara and Trevor, who was the previous subject of yesterdayās post. Throughout the entire forty-minute video, Iām not sure Sara made a single image, while Trevor finished like a dozen rolls and got into a few heated moments with strangers-who-became-subjects.
Partly why I loved this video with Sara is because she constantly reminded me of my own partner Allison, whereas Iām probably a bit more like Trevor. We all see the world a bit different and approach photography in our own ways. Itās also rather fascinating to contemplate how street photography has changed since I was their age wandering the streets with a camera. People these days are far more sensitive and aware about what might happen when a stranger makes a photo of them on the street without their consent.
Thatās a deeper debate for another day, but letās leave it there for now. Compete less; put yourself out there more; open yourself up to connect with your subjects as thatās how the magical moments are made. Thanks for your positive energy, Sara.
-Clayton
Dinah in front of the camera for my Keep it 100 portrait session. Chicago, Illinois. December, 2023. Ā© Clayton Hauck
Following my own advice from yesterdayās entry, I checked out another from Paulie Bās amazing Walkie Talkie series, this time featuring another photographer I was not previously familiar with by the name of Sara Messinger. I think the kids are alright! Beyond being introduced to another talented name, I loved the contrasting styles, approaches, and philosophies between Sara and Trevor, who was the previous subject of yesterdayās post. Throughout the entire forty-minute video, Iām not sure Sara made a single image, while Trevor finished like a dozen rolls and got into a few heated moments with strangers-who-became-subjects.
Partly why I loved this video with Sara is because she constantly reminded me of my own partner Allison, whereas Iām probably a bit more like Trevor. We all see the world a bit different and approach photography in our own ways. Itās also rather fascinating to contemplate how street photography has changed since I was their age wandering the streets with a camera. People these days are far more sensitive and aware about what might happen when a stranger makes a photo of them on the street without their consent.
Thatās a deeper debate for another day, but letās leave it there for now. Compete less; put yourself out there more; open yourself up to connect deeply with your subjects, as thatās how the magical moments are made. Thanks for your positive energy, Sara.
-Clayton
2024 03 18
Itās Monday. Back to workā¦
Hereās a little self promotion. I do a really fun portrait setup in my studio where I offer $100 portrait sessions in which participants get 100 unique photos of themselves. No AI, no fancy Photoshop tricks, just a unique approach to good old fashioned portrait photography.
ā”ļø You can check out more about the process, or book a session next time Iām offering it, here on the studio page.
-Clayton
Filmmaker & educator Anu Rana in my See You Soon studio as a subject in my Keep it 100 portrait setup. February, 2024. Ā© Clayton Hauck
Itās Monday. Back to workā¦
Hereās a little self promotion. I do a really fun portrait setup in my studio where I offer $100 portrait sessions in which participants get 100 unique photos of themselves. No AI, no fancy Photoshop tricks, just a unique approach to good old fashioned portrait photography.
-Clayton
2024 03 02
AI sources its āinspirationā from existing imagery. They grab millions, if not billions, of images and feed them into a massive neural computer network. Many, if not most, of the images are made by artists with no interest in training a computer model. Some of the images are illegal. Child pornography that got sucked into the system in the corporate drive to automate systems to train other systems on the biggest pool of imagery possible.
What interests me is what happens in 5-10 years when (if?) most content is AI generated. It will become a Digital Doom Loop of artificial reality. AI systems training themselves on artificial material made by other AI systems ad infinitum. Language will shift based on what the computers interpret to be language. If we canāt understand the computers, weāll lose our grip on them, so weāll be forced to bend to their automated will.
Anyway, have a nice weekend.
-Clayton
An outtake from my āKeep it 100ā portrait sessions. Chicago, Illinois. January, 2024. Ā© Clayton Hauck
AI sources its āinspirationā from existing imagery. They grab millions, if not billions, of images and feed them into a massive neural computer network. Many, if not most, of the images are made by artists with no interest in training a computer model. Some of the images are illegal. Child pornography that got sucked into the system in the corporate drive to automate systems to train other systems on the biggest pool of imagery possible.
What interests me is what happens in 5-10 years when (if?) most content is AI generated. It will become a Digital Doom Loop of artificial reality. AI systems training themselves on artificial material made by other AI systems ad infinitum. Language will shift based on what the computers interpret to be language. If we canāt understand the computers, weāll lose our grip on them, so weāll be forced to bend to their automated will.
Anyway, have a nice weekend.
-Clayton